HEARNE PARDEE
Department of Art and Art History
University of California, Davis
One Shields Avenue, Davis, CA 95616
whpardee@ucdavis.edu
Education
1969 - BA, Yale University
1969-73 - New York Studio School
1975 - MFA, Columbia University
Solo Exhibitions
2013 - Everyday Light: Oil Paintings, 1976-2006, Alex Bult Gallery, Sacramento, CA
2012 - New York Paintings, Building 43 Lobby at Google, Mountain View, CA
2012 - Visual Resources, Bowery Gallery, New York, NY
2011 - Displaced, University Gallery, California State University, Stanislaus, CA
2010 - Field and Frame, Bowery Gallery, New York, NY
2007 - Weigand Gallery, Belmont, CA (2-person)
2006 - Bowery Gallery, New York, NY
2004 - Bowery Gallery, New York, NY
2003 - Gone West, John Natsoulas Gallery, Davis, CA (4-person)
2000 - Bowery Gallery, New York, NY
- Washington Art Association, Washington Depot. CT (3-person)
1998 - Bowery Gallery,. New York, NY
1995 - Bowery Gallery, New York, NY
- Monty Stabler Galleries, Birmingham, AL (2-person)
1994 - Second Street Gallery, Charlottesville, VA (2-person)
1992 - Bowery Gallery, New York, NY
- Congress Square Gallery, Portland, ME (2-person)
- Hollins College, Roanoke, VA
1989 - Bowery Gallery, New York, NY
1986 - Bowery Gallery, New York, NY
- Jersey City Museum, Jersey City, NJ (2-person)
1985 - Bowery Gallery, New York, NY
1984 - Colby College Museum, Waterville, ME (2-person)
1983 - College of William and Mary, Williamsburg, VA (2-person)
1982 - Bowery Gallery, New York, NY
- University of Maine, Farmington, ME
1981 - Bowery Gallery, New York, NY
1979 - French National Theater, Caen, France
Public Projects
2010 - On the Go: Travel Sktechbooks of Artists, Architects and Poets, Terminal B, Sacramento International Airport, Sacramento, CA
2009 - Franklin Boulevard Urban Plein Air Project, painting mural at Gunther's Ice Cream Parlor on Franklin Boulevard, commissioned by Sacramento Arts Commission
Selected Group Exhibitions
2012 - Flatlanders on the Slant, Nelson Gallery, UC Davis, Davis, CA
- Between the Quotes: Art Faculty at UC Davis, Pence Gallery, Davis, CA
2009 - Geomorph: New Currents in Geometric and Biomorphic Abstraction, curated by David Roth, Pence Gallery, Davis, CA
- The Nature of Landscape, San Francisco Studio School, San Francisco, CA
- Artists in Residence, The Yosemite Museum, Yosemite, California
2008 - Surface and Substance: Works on Paper, San Francisco Studio School, San Francisco, CA
2006 - Nine at Gaia, Gaia Arts Center, Berkeley, CA
- Flatlanders: A Regional Roundup, Nelson Art Gallery, Davis, CA, curated by Renny Pritikin
2005- From Post-War to Postmodernism, Leroy Nieman Galleries, Columbia University, New York, NY,
2004 - The Continuous Mark, Forty Years of the New York Studio School, New York Studio School, curated by Jennifer Samet
- See California Now, Gallery C, Hermosa Beach, CA, curated by Peter Frank
2003 - Drawing Conclusions: Work by Artist-Critics, New York Arts Center, New York, NY, curated by Judy Collischan
- The Other Side, B. Sakata Garo Gallery, Sacramento, CA
1999 - Perceptual Drawings, Wright State University, Dayton, OH, juried by Rosemarie Beck
1998 - Yosemite Renaissance XIII, Yosemite National Park, CA, juried by Ted Orland and Karen Tsujimoto
1991 - Contemporary Landscapes, Art Institute of Boston, Boston, MA
1990 - 121 Wooster Street NYC, Contemporary Realist Gallery, San Francisco, CA
1987 - Artists Who Teach in Maine, Maine Coast Artists, Rockport, ME
1986 - Landscape, College of William and Mary, Williamsburg, VA
1981 - Hudson River Museum, juried group exhibition, Yonkers, NY
1980 - Small Works, Washington Square East Gallery, New York, NY, juried by Patterson Sims
Featured Reproductions
2011 - “Gate”, reproduced on cover of Chautauqua: Nature and the Natural World, issue 8, Chautauqua Institution
- "Verandah", reproduced on cover of Ethnologie, pragmatique, histoire, by Michel Naepels, Publications de la Sorbonne
Bibliography
Sandy Walker, "Proustian Connections in Northern California: Hearne Pardee", artcritical.com, November, 2012
Kristen Koster, "Location, Mobility and the Color of Place", catalogue essay, CSU Stanislaus
Barbara Macadam, "Hearne Pardee", Artnews, October, 2010
Kenneth Baker, review of "The Nature of Landscape", San Francisco Chronicle, April 17, 2009
Mark van Proyen, "Bridges Between World and Mind: The Paintings of Hearne Pardee and Gina Werfel", catalogue essay, Weigand Gallery, Belmont, CA, 2007
Gerard Haggerty, "Hearne Pardee", ARTnews, October 2004
Peter Frank, "Gone West", catalogue essay, John Natsoulas Gallery, Davis, CA, 2003
Carl Little, "Hearne Pardee", Art in America, April, 2001
Robert Sievert, “Hearne Pardee”, Artezine.com, February, 2001
Valerie Gladstone, “Hearne Pardee”, ARTnews, June, 1998
Jonathan Goodman, "Hearne Pardee", ARTnews, April, 1995
James Nelson, “Werfel, Pardee Strongly Rooted in Abstract Expressionist Vision”, The Birmingham News, October 29, 1995
“Shows at Second Street Gallery”, Charlottesville Observer, June 5, 1994
"Landscape Paintings of Hearne Pardee", Orion Magazine, Winter, 1994
Gerrit Henry, "Hearne Pardee", ARTnews, December, 1992
Alicia Faxon, “Contemporary Landscapes at Art Institute of Boston”, Art New England, June/July, 1991
Naomi Kenan, "Two Painters' Views of Same Scenes", Jersey Journal, March 28, 1986
Jennifer Dunning, "Where to get off the Beaten Track", New York Times, January 18, 1985
Edgar Allen Beem, “Hearne Pardee and Gina Werfel at the Colby Museum”, Maine Times, February 18, 1983
Haggerty, Gerard, "Hearne Pardee: Cut-ups and Paintings", Art New England, April 1982
Selected Writings: Essays
"Color and Structure", catalogue essay in Catherine Lee: West Texas Triangle, Gallery Lelong, 2012
"Travel and Everyday Life", Artezine.com, April, 2007
“Pure Painting: Milton Resnick Talks”, Art Journal, Spring, 2004
“Internal Images: The Digital Photographs of Peter Campus”, catalogue essay, Kunsthalle Bremen, 2003
“Proximity”, catalogue essay, The Work Space, New York City, 2002
“The Interface of Abstraction and Landscape”, Journal of the American Abstract Artists, Fall, 2000
“Lucien Day”, Art New England, Summer, 2000
“Reinterpreting Landscape”, catalogue essay, Maier Museum of Art, 1996
“Joan Mitchell”, catalogue essay, Maier Museum of Art, 1994
“Jennifer Bartlett”, catalogue essay, Maier Museum of Art, 1992
"A Distant Vision: Charles Tomlinson and American Art", Partisan Review, Summer, 1991
Review article on aesthetic theory, Art Journal, Summer, 1989
"Durational Perceptions: The Work of Peter Campus", Arts Magazine, December,1988
"Inner Images", Arts Magazine, November, 1986
"Landscape and the Language of Abstraction", Arts Magazine, September, 1985
"The New American Landscape", Arts Magazine, April, 1984
"Six Painters at the Hudson River Museum", Arts Magazine, September, 1983
"A Reading of Marsden Hartley", Arts Magazine, September, 1983
"Proust's Visual Imagery", Yale French Studies, 1965
Selected Writings: Reviews
"Mary Lucier", artcritical.com, April, 2013
"Richard Walker", artcritical.com, December, 2012
"Catherine Lee", artcritical.com, April, 2012
"Thomas Scheibitz", artcritical.com, February, 2012
"George McNeil", artcritical.com, December, 2011
"Catherine Wagner", Art Ltd., Spring, 2010
"Mercedes Matter", artcritical.com, April, 2010
"Stephen Kaltenbach", Art in America, May, 2009
"Jane Freilicher", artcritical.com, April, 2009
"Frances Hynes", artcritical.com, March, 2009
"Al Held", artcritical.com, February, 2009
"Stanley Lewis", Art in America, January, 2008
"Sandy Walker", Art Ltd., May, 2007
"Robert Berlind", Art in America, April, 2006
"Elena Sisto", Art in America, March, 2005
"Cecily Kahn", Art in America, February, 2005
"Jake Berthot", Art in America, January, 2005
"Nell Blaine", Art in America, September, 2003
"Peter Campus", Art in America, July, 2003
“Larger Than Life: Paintings by Leland Bell and Paul Georges”, Artezine.com, August 2002
“Catherine Lee”, ARTnews, October, 1999
“Tony Smith: Stinger”, ARTnews, Summer, 1999